You Are Terrifying and Strange and Beautiful Something Not Everyone Knows How to Love

I love exploring, analyzing, and experiencing poesy. My infatuation was founded when I studied a variety of poesy in higher, and grew when I began instruction the subject in loftier schoolhouse. Because my exposure began in a classroom setting, I started out reading mainly classics, those poems you'd find in a textbook. At the time, I didn't view poetry equally an emotional art, simply rather an equation—I believed the only poems worth reading were those written in the past, the poets who were able to take words and fit them into a formula of rhythm and rhyme. I didn't read modern poetry at all.

As my involvement grew, I began passionately searching for poesy online, and I establish that while I connected to poems, I didn't often connect to poets. It wasn't until I indirectly ran across the poetry of Tyler Knott Gregson that my perspective on poetry contradistinct. I've showcased Tyler'southward piece of work in the past, and I am a huge fan of his. His words are unstructured, but embrace then much depth and emotion that it takes me breath abroad. He's the commencement poet I've truly identified with, and he's enriched my own artistic abilities and inspired me to build upon my own talent both written and visual.

While I have always enjoyed poetry, information technology wasn't until reading his work that I understood it. I understood why people write poetry, and fifty-fifty more than, why people read it. Poetry contains no limitations. There's no prepare blueprint, no rules. Poetry, like I've mentioned many times in my blog, is emotion—plain and simple. It is feeling your ain emotions and those of others. It is waking up and experiencing life more than fully. In that location's no right way, no meliorate way to write. No boundaries.

Recently I was introduced to a new mod day poet, Warsan Shire. According to her website, she is a 24 year old Kenyan-born Somali poet, writer, editor, and educator located in London. I haven't fully read all of her work, but I've strongly continued with the poems and words I have read. Warsan's writing is empowering and encourages the reader to encompass her independence. One of the showtime poems of hers I read, "For Women Who Are Difficult to Love" mesmerized me immediately. The accompanying video (I'm not sure if she has any association to this) helps bring information technology alive fifty-fifty more than.

"For Women Who Are Difficult to Love"
past Warsan Shire

You lot are a horse running lone
and he tries to tame y'all
compares you to an impossible highway
to a called-for house
says you are blinding him
that he could never leave y'all
forget you
want anything simply you
you giddy him, yous are unbearable
every woman before or afterwards y'all is doused in your proper noun
y'all fill his oral cavity
his teeth ache with memory of gustation
his trunk just a long shadow seeking yours
just you are always besides intense
frightening in the mode y'all want him
unashamed and sacrificial
he tells you that no man tin live upward to the one who
lives in your caput
and you lot tried to change didn't you?

closed your mouth more
tried to be softer
prettier
less volatile, less awake
simply even when sleeping you could feel
him travelling away from y'all in his dreams
and then what did you want to do love
split his head open?
yous can't make homes out of human beings
someone should take already told yous that
and if he wants to leave
then let him get out
yous are terrifying and strange
and beautiful
something not anybody knows how to love.

Warsan's poem revolves around womanly force. This woman'south strong spirit is like a butterfly–initially centre catching, trigger-happy, and beautiful.  Those who view her are instantly attracted, nether her spell. Simply because of her inability to be independent, consumed by a man, society, or anyone else, those effectually her are intimidated, frightened. They want her to be less. The second stanza focuses on the ii ways in which this situation may get. In order to make a relationship work, suffice those around her, this potent woman may attempt to mold herself to the likings of those effectually her. She may dampen her personality, suffocate her spirit. Nevertheless, Warsan warns that away, encouraging this woman (and those strong spirits reading) to embrace her independence, celebrate her freedom; if those effectually her are unable to accept this, then she is to forget them.

I've noticed that all of Warsan's poems, all of her words that I've read and so far, have aligned with this concept that power is constitute from within. The line from the poem above supports this, as she tells the reader that you can't brand homes out of human beings. Happiness and livelihood tin can't exist obtained through others. Nosotros should rejoice in ourselves, celebrate all that nosotros are, earlier we allow anyone to enter our lives as a beautiful accent to what nosotros already know nosotros take. We should never settle, never expect less than nosotros deserve. The people, places, and things nosotros encounter in life should aid build us into meliorate people. They should never weaken united states or tear united states of america downwardly.

Similar living poetry, our stories should have no limitations. I'1000 positive that Warsan Shire will appear on my blog in the time to come.

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Source: https://theplacebetweensleepandawake.wordpress.com/2014/03/23/you-are-terrifying-and-strange-and-beautiful-something-not-everyone-knows-how-to-love/

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